#I really enjoyed myself here lol

[kekstala]

Outside of the very very iconic sweet and sour dipplins, do you have any other fics your a big fan of?

I have a lot of fanfics that I enjoyed a lot and still do.

I'll only cover Dipplinshipping tho, so if you want to know more, feel free to ask again. <3

Blossoming Into Tomorrow by @furretd0ll

It’s an adorable time skip story about Kieran & Juliana getting married and facing the challenge of parenthood.

The story gives those fluffy family vibe feels, a troop I enjoy a lot!

I have already created fan art, because I absolutely love this story. <3

Playing Pretend by @esp3onsol

For a certain reason, Kieran & Juliana make a deal to pretend that they're dating each other for a while.

They‘re practically obvious idiots in love, which results into a lot of awkward moments.

It‘s hilarious and cute at the same time, I love it <3

Part 1 & 2 of the ogre‘s savaltion and the tides that set them free by lillisandme

Like the title tells, it’s a two part story - first party plays immediately after the Terapagos fight. Kieran & Juliana have a heart to heart talk which results in Kieran reflecting his feelings.

The second part takes place several years later, Kieran visits Juliana in Paldea to spend some time with her.

It‘s quite long but also very well written - I really like how the characters are fleshed out in there.

Woodworking AU by MissTreason

It‘s a story splitted into 4 one shorts - Instead of pursiuing a battle carrier, Kieran decides to step into the footsteps of his grandfather and starts to learn to crave masks.

The plot starts at Blueberry and ends up several years into the future. It‘s mainly from Kieran point of view and how his feelings change over time.

It‘s fantastic written and you just want to know what happens next.

Although I have to give a warning about the fourth part - it‘s….very spicy….

So if you‘re an minor or doesn‘t stomach this kind of things, better ignore this entry completely 

If you in fact doesn‘t mind at all, enjoy that kind of stuff even, then congratulation, you‘re a pervert…just like me 8D

Teal Mayhem by MurayamaTsuru

It‘s more or less an AU or a „What If“ where Carmine and Kieran switch places in the first part of the DLC.

So instead of Carmine and Juliana meeting Ogerpon for the first time, its Kieran & Juliana instead. 

It‘s an interesting concept and I love how it‘s being fleshed out so far. (I‘m quite excited how the story will go from there :> )

Dipplinshipping Week 2024 - Day 2 AU by Kaylen_Go_Vee

This one‘s so random but also so cute lol

It‘s an oneshot about Juliana, a florist and Kieran, a tattoo artist who one day storms into her little shop to demand a bouquet of flowers. 

It sounds pretty boring and ordinary, but believe me its not LOL 

I sometimes catch myself rereading this story several times because it‘s just so cute and hilarious, I just can‘t oke xD I even debated whenever I should make fan art or not…probably will in the foreseeable future lol

Azure Dive by UndeadWitch

Like S&SD it takes place between the second part of the DLC.

Kieran got possessed by Dokupon (it‘s more or less Peachy, but very different) and Juliana tries to help him, while facing…well…school life lol

It‘s that kind of slow burn where you scream into your cushion out of frustration pff 

Although I have to say, I like this approach a lot. The story has time build itself and the characters go through some well deserved development as well.

Just bring some patience and you will love this piece of fantastic art quite a lot <3

That‘s about it (for the moment lol)

I recommend all of this stories if you enjoy Dipplinshipping like I do <3

Thank you so much for your ask! :D

[sunlit-mess]

how delusional can you be as if it's disrespecting

[everyitachi]

[cyclogenesis]

Every Single Other Universe. Logan/Wade, post-Deadpool & Wolverine, Explicit. 12,470 words.

In which Wade and Logan and their variants are being hunted down by a hater from the Void and are thus tasked with hunting the hater back. Weirdly, all of their other variants are dating each other in their respective timelines. Does that seem meaningful to anybody else?

Read it on AO3!

[tiktowafel]

do you ever think about how all you used to draw when you were 10 was ponies and that you should still know how to do that, then get an idea and proceed to draw something like these in nearly one sitting and it turns out better than any drawing you've done in the entire past month

sooo anyway does anyone have cutie mark or pony name ideas for them?? lol

[bimboothefool]

Briar in Other Universes✨

Huge Disclaimer a majority of these VN’s are intended/made for those who are 18+ & up! Minors don’t play/interact with these games, respect these creators wishes.

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[sysig]

Growing closer than expected (Patreon)

[drawnfamiliarfaces]

Not a question tho... I just want to say that I REALLY love your art style for Hero:108! It's just so precious to see it on my tl again... I love them! Especially Lin Chung and Mystique Sonia! (You made me into LinSonia again 🥹)They are my fave! Again...Thanks for drawing them with your awesome art style!!! Have a nice day! 🥰

Oh oh boy QAQ!!<3<3<3<3 Thank you sm for your kind words!!!

People keep saying nice things to me and I appreciate it so freaking much, but this one kinda gripped by the throat because I was in H:108 mood lately lol and H:108 has such a tiny fandom presence, well anywhere tbh since its such a silly cartoon, and its just very nice to know that there are some people out there who enjoyed silly stuff I drew. QwQ <3

And its really flattering that it reignated your love for LinSonia! They are kinda my fav characters too and I actually accidently started to enjoy that ship too. ;3

[angelmush]

starting to feel my enjoyment of cooking seeping back in after a long period of intense burnout that had me really slogging along preparing meals with gritted teeth for a good month there. i credit the return of this spark to the much needed break i took on our 3 day vacation that resulted in us eating solely theme park food. while delicious, in all its greasy overpriced glory, i found myself missing the kitchen. so last night for dinner i made heavily spiced chicken wings with crushed peppercorns and garam masala that rendered slowly in its own fat while roasting in the oven, resulting in flavorful charred crisp skin and a really juicy bite. we picked them clean over steamed rice with lime and scallions. i also baked a loaf of marbled pumpkin and dark chocolate bread yesterday for my neighbor as a thank you for doing me a favor last week. it looked delicious. the crumb was tender and plush and velvety, the spiced ginger molasses pumpkin batter swirling alongside the bitter dark chocolate espresso batter, with puddles of dark chocolate bubbling across its top. it looked so lovely i whipped up a second one for us to have for ourselves that's in the oven now, i think it could be a really good breakfast pastry for us this week.

[revelingrexan]

:D

MADE SOME THINGSSS

if you want to use them as actual cake topper images or other decoration, you have my full permission to! that's why i made them! (i'd love if you tagged or messaged me if you do!)

if you do want to use these for cakes, i also made several other versions and have notes under the cut

____

OKAY SO FIRST OFF I'M NOT AN EXPERT ON PRINTING STUFF. the (very) short version is, purples and pinks don't show up well in the most common printing method, and that "most common printing method" is used in edible printing, like what's used for cupcakes and cakes

(most printing uses a color model called "CMYK," if you want to look it up)

so!! maybe you can use the images above the cut and it'll be fine, or maybe you need to give the printers these versions. these colors were picked because it lets the images turn out like the ones above the cut, NOT how they're shown here:

i'll find out if giving the printers either version works or what in a few months, and i'll update this section then (or sooner if someone fills me in), since i'm planning on getting myself a Lucifer ducky cake for my birthday :3

i'm including versions with circles because many cake designs are circular -- including the one Lucifer used in-show lol and what i plan to print -- and the circle is placed relative to where i intended the image to crop and how i intended its composition. (if you'd like the circle to be placed a bit different, you can do so using the square version)

i included a bunch of variations where Lucifer's not holding anything, if you want to add a number for someone's age for a birthday cake or your own object or some phrase or whatever you please

again, idk how printing works, so i might swap these out for the more vibrant versions depending on what i eventually learn. i'm just prioritizing these less bright versions basically so everyone remembers these are the intended / expected colors

AND A LAST TOTALLY UNRELATED NOTE:

if anyone wants to take a crack at making the image as show-accurate as possible, BE MY GUEST. SHORT VERSION IS, I DID A GOOF WHEN TAKING THE BASE IMAGE OUT OF PERSPECTIVE, SO IT CAN'T BE CROPPED TO LOOK HOW IT DOES ON THE CAKE LUCIFER CANONICALLY USES, WHAT WITH LUCIFER'S HAT AND ALASTOR'S EARS GETTING CROPPED OUT

(i wanted to make a "complete Lucifer hat and complete Alastor" version as well as a cropped version for the pedants [affectionate] out there. but the second version didn't work out when the time came 😔)

it'll probably take some artist's license to get everything to fit in a perfect circle, but here's two versions where i actually did the first step more correctly, using my program's "mesh transform" to get it circular

in the first image, Lucifer is more accurate, and Alastor is more accurate in the second, in case anyone wants to use these (no obligation; you can do your own thing if you'd prefer).

the mesh is still visible in the second image because i hadn't intended to keep the screenshot -- i just thought the mesh looked wild, so i screenshotted, but it was a lucky save since Alastor looks decent there. (it might also be preferable if you use a mesh with more points than in that screenshot)

again, some artist's license will likely be required to get them both looking good. have fun with it! i might try this project again in the future, but for now i'm done lol. (it'll probably be at least a few months or a few years if i do try again, and no guarantee that i will)

[skunkes]

i dont like when character being blunt/having no filter = character just being Mean, and im trying to find a good balance with that for Talon. I guess it's not that hard since he's not an (active) overthinker and I have drawn him saying things he considers neutral that seem rude to others...I guess I have to find a way to show the opposite, too

[lunarharp]

figured i'd do this again..bit early i guess..

[jalboyhenthusiast]

-

[marblerose-rue]

wahaha sneak peek!!

[batfossil-fr]

I’ve been really thinking of reopening my art shop soon… I’ve been taking some practice doodles (hence all the posting lately) while I shake off my rust and I’m finding things I enjoy working on again. I miss trying my hand at more dragons/OCs and colors. my shop’s so broken rn lmao but that’s a problem for a later date it’s just nice getting back into art